The Film Baby Review: An Astute Portrait of LGBTQ+ Brazilian Survivors Lost in the System

Capturing the city's relentless energy and dynamic spirit of São Paulo, filmmaker Caetano's bracing drama centres on those who exist on the margins of an ever-changing metropolis. Newly freed from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) stands at a pivotal juncture; abandoned by his parents, the innocent young man discovers refuge in the arms of others.

On an evening out with his lively group of LGBTQ+ and gender non-conforming friends, Wellington crosses paths with Ronaldo (actor Ricardo Teodoro), a muscular, charming hustler more than twice his age. Illuminated by the flickering glow of a neon-lit porn cinema, their introductory rendezvous is intimate and charged, with an hint of risk. Ronaldo swiftly initiates Wellington to the underground scene of sex work and narcotics trafficking.

A Study of Understanding Instead of Sensationalism

Caetano depicts Wellington’s new life of crime with tender empathy rather than as a sensationalist cautionary tale. Now adopting the moniker Baby, he engages in his paid liaisons with swaggering confidence and endearing innocence. To his patrons, Wellington lends not only his youth and his body, but also fleeting acts of kindness.

In the feverish excitement of São Paulo, teeming with busy lanes and colourful shopfronts, there’s a persistent isolation, as unmoored souls hold fast to one another for momentary bliss.

"The streets can be riddled with risk, yet they are the place where they can find their own family, too."

A Complex Dynamic of Love and Control

Ronaldo is at once a romantic interest and a guardian-like mentor to Wellington, but their bond is sabotaged by jealousy and monetary insecurity. Threats from dubious individuals in the underworld pale in comparison to the dread of institutional observation and imprisonment, symbolized by the looming presence of police officers in the area.

Baby is especially potent as a keen observation of the forgotten souls who have fallen through the cracks the system. The film ultimately serves as a heartfelt exploration into making ends meet, found community, and the search for purpose within a unforgiving urban landscape.

Robert Richards
Robert Richards

A Toronto-based tech journalist and business analyst with over a decade of experience covering North American markets.